Isitolo Alesana

Summary

Isitolo Alesana is of Samoan and Tokelauan descent, proudly hailing from the villages of Falefa, Ulutogia, Vaie'e, Mota'a, Faleasiu - Samoa, and Nukunonu - Tokelau. A self-taught musician in traditional drumming and a studio-trained dancer, he holds a Bachelor of Creativity (Performing Arts) and is currently teaching at Whitireia.

Tolo pays homage to Porirua for playing a crucial role in developing his craft and art during his formative years. His extensive travels have taken him across Europe, Australia, USA, Asia, Canada, and Samoa. He accompanied cultural groups such as Whitireia Performing Arts, Taumata Whitireia, Le Moana, Lemau Creative, and Black Grace during these journeys.

Throughout his career, he has collaborated with renowned artists like Anonymouz, Pati Umaga, and Hiliako Iaheto.

Creative Process

During the two weeks of Fale-ship, I had the chance to explore the ideas in my mind. Initially, I thought it would be straightforward, with melodies and beats flowing effortlessly onto the computer screen. However, I quickly realised that this was my first time in full control of the production, free from following anyone else's guidelines or preferences.

To be candid, it was daunting. I might be the only full-time musician who doesn’t own any musical instruments.

Creative Workspace

I don't have a dedicated recording studio for personal projects, but this was a great opportunity to work at home. I find it doesn't matter where I work as long as I'm able to lay the music down. Even in the midst of daily life, surrounded by the hustle and bustle of my household, I was able to produce a piece that I’m proud of.

Final Work

My piece “ Hehulu ni Awhe” is inspired by Tokelauan ancestry. The lyrics are a traditional chant/whatele from my childhood that I use to dance to with my family. It’s a fusion of who came before, who I am now and the beginning of where I see my music going

Fale-ship Questionnaire

What inspires you?

I am always inspired by my ancestors, my late father who introduced music to me at a young age and my family. My culture is a big drive in what i do helping. Sustaining our traditional cultural practises especially in siva/hiva but also creating space for an amalgamation of traditional and contemporary pehe/pese and siva/hiva.

What were some highlights and challenges you came across during your residency?

Highlight: Being able to create music in the comfort of my own home. Using my space in the kitchen helped me explore sounds from objects that weren’t instruments but that could replicate sounds close to traditional pacific instruments.

Challenges: Visitors coming by and having to stop recording and trying to capture recording-room-like sound in a big space.